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It is generally recommended to keep the luminance for HDR10 content at or below 4000 nits.

While the HDR10 standard accounts for luminance ranges all the way up to 10,000 nits, there are no consumer panels that can deliver this brightness. Enter the luminance of the brightest part of your program. Maximum - This is the maximum luminance of the content in your program.This is a numerical input with scrubbable hot-text. Obtain this number by reading the technical specifications for your monitor. Luminance Max - This is the maximum capable luminance of the HDR monitor used while grading your content.Luminance Min - This is the minimum capable luminance of the HDR monitor used while grading your content.The possible values are: Rec.709, P3D65 (default), Rec. It has a drop-down list with three options. Obtain this value by reading the technical specifications for your monitor. Color Primaries - This is the color gamut of the HDR monitor used while grading your content.To do so, create a preset with source-matching enabled for all properties except Frame Rate, which is set to 24 fps. You want to convert all the assets in the Watch Folder to a single format at 24 fps.

You can save the Match Source setting as a new preset and apply them to any source in the Queue or Watch Folder panels.įor example, say, you have a Watch Folder containing assets with varying frame sizes and frame rates. Match Source presets are useful when you want to pass a few video attributes from the source, and select specific values for the other attributes. Match Source - Medium bit rate: for Standard-Definition (SD) video sources.This preset is the default Match Source preset for both H.264 and MPEG-2 exporters. Match Source - High bit rate: for High-Definition (HD) video sources.Selecting a Match Source preset automatically activates the appropriate options in the Video settings tab in the Export Settings dialog.Īdobe Media Encoder provides the following two Match Source presets for both H.264 and MPEG-2 exporters: Check out the video below to learn more about Premiere’s proxy workflow.When exporting video files in H.264 or MPEG-2 format, Adobe Media Encoder lets you automatically match the video settings of the source file using Match Source presets. Creating a proxy of a video only takes a few clicks on your computer so let’s jump right into it. Proxy files are lower-resolution copies of your original files. Video proxies, also known as proxy files, let you edit large videos without the lag and computational strain. Luckily, if you want to edit video with big beautiful footage without breaking your computer, this is one of those situations where you can have your cake and eat it too. Some processors just don’t have the computing power to stream all that heavy data. Perhaps 4K, 6K, or even 8K footage? While these resolutions are preferable in order to capture high-fidelity images and colors, they are a burden on modern video editing computers. If you’re reading this, I assume you’re a video editor and your computer keeps lagging when you playback clips in Adobe Premiere Pro? If this is happening, you are likely working with videos that have a large file size.

Adobe media encoder cc change resolution